Today's postings

  1. [Baren 43895] blotters (Joe Martin)
  2. [Baren 43896] Re: blotters (Darrell Madis)
  3. [Baren 43897] Re: blotters ("Browder, Tina")
  4. [Baren 43898] dampening paper (Marilynn Smith)
  5. [Baren 43899] dampening paper (Marilynn Smith)
  6. [Baren 43900] dampening paper (Marilynn Smith)
  7. [Baren 43901] Re: Printing on wet paper with etching inks... (Phil Hillmer)
  8. [Baren 43902] Re: Printing on wet paper with etching inks... (Barbara Mason)
  9. [Baren 43903] Re: blotters (Barbara Mason)
  10. [Baren 43904] Re: blotters (Barbara Mason)
  11. [Baren 43905] Baren Member blogs: Update Notification (Blog Manager)
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Message 1
From: Joe Martin
Date: Mon, 08 Aug 2011 16:23:37 GMT
Subject: [Baren 43895] blotters
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Where do you buy blotters? And doesn't it cost a lot to buy enough to do an edition?

I have pretty much abandoned my press in favor of Japanese printmaking. When I was doing large prints with oil based inks and dry Arches 88 paper, using a press, I put the printed paper flat on racks to dry. Now, that I've moved over to the Japanese style of printing, I seem to get my best prints on cheap, thin, sumi sketch paper. But, it's going to wrinkle, to some degree, no matter what I do. I mist the paper and put it in a plastic bag, just for a little while, before I print. Then I layer the prints between pieces of newsprint and weigh the pile down with heavy books. Obviously this is a technique for smaller prints. I think I need some classes or workshops to try to inch past this beginner stage...

I did notice one of the prints in the Inspired by Japan show was on thin paper that was stuck (very perfectly) to heavier paper. I have tried that technique and it's helpful, since you cut off the unprinted edges, most likely to be wrinkled.

Suzi SM
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Message 2
From: Darrell Madis
Date: Mon, 08 Aug 2011 16:28:45 GMT
Subject: [Baren 43896] Re: blotters
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Blotters are available from Graphic Chemical in Chicago. High quality and not too expensive, can be used for years.


Madis Arts
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Message 3
From: "Browder, Tina"
Date: Mon, 08 Aug 2011 16:30:45 GMT
Subject: [Baren 43897] Re: blotters
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Blotting paper is also available at Blick:
http://www.dickblick.com/products/cosmos-blotting-paper/

If you rotate out the blotters you can use them again and again.
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Message 4
From: Marilynn Smith
Date: Mon, 08 Aug 2011 16:35:36 GMT
Subject: [Baren 43898] dampening paper
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When I dampen the paper I use one blotter, for large prints you might
need two blotters as I fold one to make it a sandwich. It is a paper
stack, One wet, one wet on top and one dry on top. I stack in threes
two wet, one dry leaving a space above each for picking up the paper.
You can stack as many sheets as your blotter will hold or that you
want to print on that day. Than a blotter on top or if the paper is
small you can fold the blotter, it is a folder with a paper stack
inside. Oh, remember to put it into a plastic bag.

I have stacked a pile of prints one on the other in one blotter for
drying. I usually put a paper towel between each print (not sure that
is archival but it only stays for about a day and they are dry). My
printmaking prof always had a stack of drying prints between a board
in the studio, one atop the other and they were fine. Can't remember
if he interleaved something to make sure there was no bleeding between
prints. With paper being expensive you certainly do not want to ruin
any of your prints. I would think your rack should work well with
blotters. You could use one shelf for your sandwiched dampened prints
in plastic and others for drying. Mine, dampening paper and prints,
always seem to land in any empty studio space I have about, often that
is the floor. (at least it is flat) You would certainly be well
organized, have a tall stacking place, thus leaving the rest of your
studio as a work area. Sounds like a good plan to me.

Good luck with your prints.

Marilynn
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Message 5
From: Marilynn Smith
Date: Mon, 08 Aug 2011 16:45:43 GMT
Subject: [Baren 43899] dampening paper
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[duplicate message]
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Message 6
From: Marilynn Smith
Date: Mon, 08 Aug 2011 16:45:51 GMT
Subject: [Baren 43900] dampening paper
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[duplicate message]
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Message 7
From: Phil Hillmer
Date: Mon, 08 Aug 2011 17:36:50 GMT
Subject: [Baren 43901] Re: Printing on wet paper with etching inks...
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Hi again Barbara,

In your below method of placing the damp print with fresh ink on it, between
two sheets of plexiglas to keep the paper damp in between printing your
color blocks, do you place news print over the damp print and then put plexi
on the news print? In other words, plexi- print -newsprint -plexi? Or do
you just put the plexi right on top - in other words plexi- print -plexi? If
no newsprint, is it possible that the wet ink will smudge off onto the
plexi?
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Message 8
From: Barbara Mason
Date: Mon, 08 Aug 2011 19:00:11 GMT
Subject: [Baren 43902] Re: Printing on wet paper with etching inks...
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I have never had a problem with ink offsetting to the plexi, you should not have that much ink on the block....
One thing you can do if you think there is too much ink on your print, take a piece of newsprint and lay it over the top of the print, rub from top to bottom with the side of your hand being very careful not to let the newsprint move. This will strip any extra ink off the paper. I usually don't have to do this with oil based ink. When you roll up the block, you want to roll from the center to the edge and use lots of layers of very thin ink. Two thin layers will always print better than one thick layer. I will be anxious to see the prints after all this good info...if your head has not exploded yet!
My best
Barbara
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Message 9
From: Barbara Mason
Date: Mon, 08 Aug 2011 21:37:14 GMT
Subject: [Baren 43903] Re: blotters
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Graphic Chemical for blotters, once in awhile they have them on sale.
they are expensive but last for years. Come on over one day and I will help you...I know enough to teach it.
My best
Barbara
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Message 10
From: Barbara Mason
Date: Tue, 09 Aug 2011 01:24:08 GMT
Subject: [Baren 43904] Re: blotters
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I have had some for years and years...I hang then up to dry out and they stay flat that way.
Dick Blick is coming to Portland, buying my favorite store, Art Media. It will be great to have such a huge store here.
My best
Barbara

Digest Appendix

Postings made on [Baren] members' blogs
over the past 24 hours ...

Subject: Mystique Series #15 : printing steps 13~14
Posted by: Dave Bull

Next up is the final impression on her comb - a gradation that depicts some of her hair 'showing through':

Here's a bit of a closer view of the area in question:

I really get a kick out of this - turning something 'transparent' by putting yet more pigment onto it!

Then a bit of delicate blue tone to 'fill in' some of the bare areas on the clothing:

Look very nice at this point, but still not quite finished ...


This item is taken from the blog Woodblock RoundTable.
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Subject: Sometimes I'm Married, 2011
Posted by: Annie B

Married2011

SOMETIMES I?M MARRIED, 2011
2-color Japanese-method woodblock (moku hanga)
6? x 8? (15 x 20 cm)

The 2011 installment of an ongoing series in which I track the state of my own gay marriage. I?ve made an updated version each year to celebrate my wedding anniversary, August 15, 2004 ? the first year that gay marriage became legal in Massachusetts. Someday this will be a one-color print.

See the whole series on my web site.

This item is taken from the blog woodblock dreams.
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Subject: Japan fundraiser
Posted by: JennifersCabin

Do look at the prints created by an international group of artist printmakers, hoping to raise some funds to assist the Japanese cope with the post earthquake traumas. http://www.barenforum.org/japan/index.html

This item is taken from the blog Jennifer Martindale.
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Subject: Uptown Art Fair Experience



[This was a summary of the original entry. The full entry can be viewed here]

This item is taken from the blog Lori Biwer-Stewart's Printmaking Blog.
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