Message 1
From: "bobcatpath # 207me.com"
Date: Wed, 21 Jul 2010 13:46:47 GMT
Subject: [Baren 41663] ex 45
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Message 2
From: "Kimberly Roddy"
Date: Wed, 21 Jul 2010 14:55:59 GMT
Subject: [Baren 41664] Proposed Title for Maria's Geographical Divides print
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Message 3
From: Kristine Alder
Date: Wed, 21 Jul 2010 17:19:39 GMT
Subject: [Baren 41665] Ex. 45 We're almost there!
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Message 4
From: ArtfulCarol # aol.com
Date: Wed, 21 Jul 2010 17:46:10 GMT
Subject: [Baren 41666] Re: WHAT DO YOU HAVE IN YOUR STUDIO
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Message 5
From: "Maria Arango Diener"
Date: Thu, 22 Jul 2010 00:34:53 GMT
Subject: [Baren 41667] thank you and solar plate
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Message 6
From: Barbara Mason
Date: Thu, 22 Jul 2010 00:41:03 GMT
Subject: [Baren 41668] solar plate
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Message 7
From: "Gretchen Grove"
Date: Thu, 22 Jul 2010 02:22:09 GMT
Subject: [Baren 41669] Re: WHAT DO YOU HAVE IN YOUR STUDIO
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: Size matters - continued
Posted by: Dave Bull
While the carving is going on, I'm trying to move forward on getting the paper sizing organized. I dug back into my photo albums from years ago, and found some snapshots taken on a visit to Misawa-san, the man who has done most of our sizing for the past couple of decades. Here is a series giving an overview of the process. The size is prepared and poured into a metal 'bucket', which has an electric heating element to keep it at the suitable temperature. After dipping his brush, he wipes on the bar to remove excess: Then makes the stroke across the paper surface:
[Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Woodblock RoundTable.
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Subject: Mystique Series - key block done ... colour separation
Posted by: Dave Bull
Although it is now extremely hot here - even down by the river - the work has moved forward, and the key block for the Hasui design is now done: Just before completion - with the small boats waiting: And after washing (under the strong light bulb at night, sorry): The empty zone over at the right is where the cartouche lettering will be carved later, after I get the master copy of the calligraphy back from collector Tauchi-san, who has taken on the chore of doing them for the whole series. But I can get busy on the colour blocks while waiting for that to arrive. I think we are looking at 12 faces in all (including the key), but I'm not sure how many impressions it will be; there are going to be a number of gradations and overprintings, obviously. Here are the separations, ready to be pasted down (click to enlarge): [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Woodblock RoundTable.
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