Message 1
From: Lynn Starun
Date: Thu, 23 Apr 2009 15:11:54 GMT
Subject: [Baren 38717] Re: New Baren Digest (HTML) V47 #4793 (Apr 23, 2009)
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Message 2
From: Gayle Wohlken
Date: Thu, 23 Apr 2009 15:31:29 GMT
Subject: [Baren 38718] Tagging Blogs and Using Search in Archives
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Message 3
From: "Ellen Shipley"
Date: Thu, 23 Apr 2009 16:56:52 GMT
Subject: [Baren 38719] Re: Tagging Blogs and Using Search in Archives
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Message 4
From: "Ellen Shipley"
Date: Thu, 23 Apr 2009 17:05:44 GMT
Subject: [Baren 38720] Re: Not that old chestnut...
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Message 5
From: Charlie overshoe
Date: Thu, 23 Apr 2009 17:31:07 GMT
Subject: [Baren 38721] RE: art/craft
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Message 6
From: "Mike Lyon"
Date: Thu, 23 Apr 2009 22:19:31 GMT
Subject: [Baren 38722] Beach Museum exhibition runs through July 19 in Manhattan, KS
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Message 7
From: ArtfulCarol # aol.com
Date: Thu, 23 Apr 2009 22:36:36 GMT
Subject: [Baren 38723] Re: Beach Museum exhibition runs through July 19 in Manhattan, KS
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Message 8
From: ArtSpotiB # aol.com
Date: Fri, 24 Apr 2009 00:28:54 GMT
Subject: [Baren 38724] Re: art/craft
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Digest Appendix
Postings made on [Baren] members' blogs
over the past 24 hours ...
Subject: [River in Spring - 5] : On to the colours ...
Posted by: Dave Bull
Continued from [River in Spring - 4] | Starting point of the thread is [River in Spring - 1] After leaving the key impression to 'set' overnight, I did the first of the colour blocks this morning (and afternoon). And as I have before, and certainly will again, I am having 'trouble' keeping myself from making the impression 'nice and smooth'. I spent pretty much the whole of the previous twenty years trying to keep the impressions smooth and free from texture, and it has really become just second nature, so now, when I have a block to print that I know should be printed with a more blurry mottled texture, I have to fight myself every step of the way. One part of my brain says, "C'mon, spread that paste out smoothly ..." while another part is saying, "No way; lighten up on the baren pressure, and get some mottling into the colour ..." That's a battle that'll never end, I fear ... Anyway, here's what she looks like with one colour in place: This is a 'base' colour, and regions of this will be overprinted in different tones as we move along. |
This item is taken from the blog Woodblock RoundTable.
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Subject: Nest Egg
Posted by: Andrew Stone
The local elementary school is holding an "arts" auction to benefit the arts program for the school. I was asked to volunteer to help the class work on a group project that could then be auctioned (ransomed?) off to the parents at the upcoming evening event. Some classes have done some pottery work, another is working on a tiled fountain, others, refrigerator magnets. As the class is working extensively on birds as a topic I had the children do drawings of something about the bird they had chosen to study and to do some preparatory sketches to collage together. The idea was to collage them together in an interesting way leaving me to carve the drawing out in the calm of my studio and then print them together in the classroom. I got lots and lots of neat drawings. But in the end I had to do two collages. One with a drawing from each student. It turned out much more varied and lively, but very cluttered and I feared would be very hard and time consuming to carve. The other pulled out all the larger drawings that coincidentally (mostly drawn by the girls) were of the nests. Those that included tree branches/trunks . . . [Long item has been trimmed at this point. The full blog entry can be viewed here] |
This item is taken from the blog Lacrime di Rospo.
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