My idea of developing a proof is to balance the colour and printing technques, plus attend to registration and detail, all this I do on the paper I use for my final edition. In my case I use shioji, a sized kozo washi from the baren mall, a kind of economy hosho washi. Yes, I screw up a lot, yes it's a pity. But, how else can I understand the print I hope to make? I think it is really important to learn to throw away good paper early in the process. The print is more important than the paper.
Tom the Wastemaker
Maria, love your idea for the puzzle print. Harry WOW, we just do not have
stuff like that around every corner in our country. Geez how wonderful!
Marilynn
Leigh,
Wanda's suggestion of Shin Torinoko is the best I've seen, so far. It
is very inexpensive, comes in bright white, and is easy to print on!
What more could a body ask for? I use it for proofing, after going
through a few on newsprint, and sometimes for the actual print.
Maria,
I have the puzzle print up and framed in my studio, so everyone will be
able to see it in all it's grand glory. Are we going to have a theme
for our rocks for the Cairn Project (hereinafter, CP - that's my
attempt at legalese)? How about how Baren has helped me build my
printmaking repertoire - or something like that?
That's all folks - keep those Summit registrations coming in! I will
acknowledge checks as soon as I receive them.
Cheers,
Sharri
Carol, the resist for watercolor that you talked about is called "frisket". It comes in a little bottle, and like you say, you brush it on, and it keeps those areas from getting color on them. Afterwards, you just rub it off with your finger. I've used it often for watercolor, and it seems like it should work for waterbased printing as a resist.
Leigh, Akua Kolor monoprinting inks will work fine for Hanga. I think they will generally work better if you dampen the paper though (as Wanda said, damp, not sopping wet). Also, as far as using Rives for hanga, I would use Rives heavyweight, I believe Rives lightweight is a bit too lightweight as far as I can remember. Stonehenge is very inexpensive and will work for hanga. For Stonehenge, you definitely need to dampen the paper, and probably use quite a bit of pressure with the baren, as the paper is thick.
happy printmaking!
Sarah
Thanks for the info on the cheap Masa. Feel like I waste so much time trying things out so at least I won't waste time on that. I may give the Masa Dosa a whirl and will definitely try the Shin Torinoko. I have tried Stonehenge and Lenox but I seem to do better with the thinner papers. Maybe with some more experience under my belt, I will come back to them. I really like the Rives BFK Lightweight but the white and cream are almost the same color--both a cream/off white. I have some of both and I find it quite difficult to tell which is which. Thanks for all the info, Leigh