Ploughing along happily. I spent yesterday printing up my third print, a chuban yoko-e landscape print www.
http://members.ozemail.com.au/~lovememusic/ As Barbara advised me, most printing mistakes are due to too much mix on the block and in the brush. Of 30 prints, I lost only 3 to blots. In my last print I lost at least half. I have also learnt that some blots can be washed off, if they are not pressed in. So, all in all, I am a very happy printer.
In the carving, I have not yet found jewellers rouge, but I have been told that valve-grinding paste on plate glass may be even better than rouge on leather. I have bought a honing jig, a little wheelie thing that rolls along keeping the grinding angle consistent, this has improved my sharpening immensely. I also bought a fine grade 6" diamond block for the courser grinding, which is great cause it stays flat.
My carved lines are now much finer. The birch ply I am using does chip off now and then, so I fix little nicks with epoxy.
I have also found a way of getting designs out of my computer onto the block. Using tissue and contact adhesive I am able to print out the hanshita, I then remove the tissue from the backing, flip it over refix, and then paste onto the block. Remove the backing immediately and pat out any air bubbles. This way the water-soluble printer ink stays out of the nori and all lines remain perfectly sharp. I use a runny paste and brush it out very thin.
So, I think I am over the most frustrating stages. Which means I will soon need more washi. I have the Baren mall sample book and I think I like the natural and unlined papers best. I have tried the Mawata light and Shioji, these being the two cheapest 100% kozo papers. To my surprise I found the Shioji better in most regards. It is slightly heavier and much stronger to print on. It seems to have more sizing. I am trying to decide whether I should stick with Shioji for now, or is there some other alternative I should try?
It's all a lot of fun and not so daunting now.
Tom in Australia